“Markham Schulz takes us back to the roots of art history and the importance of looking. And she enables the reader to do the same. Through what must have been a Herculean task of persuasion and patience, she succeeded in having photographed a great deal of Venetian sculpture that is normally impossible to see – let alone at close quarters. The second volume of her publication is taken up with hundreds of newly commissioned black-and-white images of works on church rooftops, on facades or perched atop towering altars – all at an angle that enables readers to contemplate them properly.”

Stuart Lochhead, in: Apollo Magazine, Book of the Year 2018