Alabaster Sculpture in Europe (1300-1650)
Edited by Marjan Debaene
Alabaster was a popular material in European sculpture, especially from the fourteenth to the seventeenth century. Its relative availability and easy to sculpt characteristic made it a highly suitable material for both large monuments and small objects, for mass production and individual works, from England to Spain and France to the Netherlands, Germany and Poland. This material has been the subject of multidisciplinary research in various European countries for several decades. The research combines material analyses with historical and art-historical approaches. This publication, made for the occasion of the large exhibition on the theme at M Leuven opening on October 14th, brings together all renown specialists on the material and sheds light on the many facets of alabaster, such as its physical and chemical properties as well as its translucency, its whiteness, its softness, and its beautiful sheen, all of which made it a popular material used in different types of sculpture from the middle ages to the baroque, all throughout Europe, ranging from bespoke tombs, funerary monuments and commissioned sculptures and altarpieces to commercially interesting formulas such as English or Mechelen alabaster reliefs.
A Survey of Manuscripts Illuminated in France, vol. 2
Frankish Manuscripts: The Seventh to the Tenth Century
2 volumes, ISBN 978-1-872501-25-3
Frankish Manuscripts covers the earliest period in this series devoted to manuscripts illuminated in France. The two volumes explore those manuscripts that originate in the period before the kingdom of France emerged at the end of the tenth century. From the seventh to the tenth century most of modern France was ruled by kings of the Franks, from dynasties known as Merovingian and Carolingian, whose territories also included significant portions of other modern nations, especially the Low Countries, Germany, Switzerland and Austria.
The Paper Museum of Cassiano dal Pozzo. Series A: Antiquities and Architecture, Part III
Sarcophagi and Other Reliefs
By Amanda Claridge, Eloisa Dodero
4 Volumes, ISBN 978-1-912554-56-0
The 1,055 drawings catalogued in these four volumes are mainly divided between the Royal Library at Windsor Castle and the Department of Greece and Rome of the British Museum, but are also scattered in other public and private collections across the world. They correspond most closely to Cassiano’s definition of the Paper Museum as his attempt to have ‘skilled young draughtsmen’ draw ‘everything good in marbles and bronze which can provide some information about antiquity’. He focused in the first instance on the ancient figurative reliefs which are especially abundant in the city of Rome, carved on marble sarcophagi, tombstones, altars, bases and a wide range of other monuments. The drawings depict both the public reliefs of the city – such as those on the Arch of Constantine or the Column of Marcus Aurelius – and those from the major Roman private collections of the period, including the Aldobrandini, Borghese, Medici, Farnese, Barberini and Giustiniani collections.
Four introductory essays explore the context in which the project evolved and discuss the collecting history of the Paper Museum as attested by the mounts and numbering found on many of the drawings. The range of different hands at work are identified, and a detailed survey is provided of the existing albums or the past configurations of others now dismembered.
Revisiting Raphael’s Vatican Stanze
Edited by Edited by Kim Butler Wingfield and Tracy Cosgriff
This volume revisits Raphael’s famous Vatican ‘Rooms’ on the occasion of the quincentennial of the artist’s death. It introduces new scholarship that addresses questions of meaning and invention, artistic process and design, patronage and ritual, and workshop collaborations. With all rooms and details published in color, including ceilings and basamenti, it constitutes an essential resource for further study of these important Renaissance artworks.
Carlo Cesare Malvasia‘s
The Lives of the Bolognese Painters
The Lives of Francesco Francia and Lorenzo Costa
Edited by Elizabeth Cropper and Lorenzo Pericolo
Illustrated with numerous color images (many of them taken expressly for this publication), this volume provides a critical edition and annotated translation of Malvasia’s lives of Francia and his disciples, among them prominently Costa. The integral transcription (for the first time) in this volume of Malvasia’s preparatory notes (Scritti originali) to the lives of Francia, Costa, and Chiodarolo presents important material that could foster the study of Bolognese painting in the age of humanism under the rulership of the Bentivoglio.
The Allure of Glazed Terracotta in Renaissance Italy
By Zuzanna Sarnecka
Also Available in Open Access
In her richly illustrated study Sarnecka brings together devotional glazed terracotta produced in Italy by the Della Robbia family and by unidentified contemporaries working in the same medium to propose a new way of thinking about the religious art in Renaissance Italy.
By Erin Benay
Italy by Way of India recovers peripheral narratives of image-making from the margins of cultural exchange between India and Italy during early modernity and promotes indigenous artists as central to the construction of Christian art in India and to the representation of India in Europe.
Edited by Matthew Collins
Edited by Abigail D. Newman and Lieneke Nijkamp
Artists everywhere and across all time periods have collaborated with one another. Yet in the early modern Low Countries, collaboration was particularly widespread, resulting in a number of distinctive visual forms that have become strongly associated with artistic – and especially painterly – practice in this region. While art historians long glossed over this phenomenon, which appeared to discomfitingly counter nineteenth-century notions of authorship and artistic genius that have long shaped the field, the past few decades have seen increased attention to this rich and complicated subject. The essays in this book together constitute a current state of the question, while at once pointing the way forward.
From Kairos to Occasio through Fortuna. Text / Image / Afterlife
On the Antique Critical Moment, a Grisaille in Mantua (School of Mantegna, 1495-1510), and the Fortunes of Aby Warburg (1866-1929)
By Barbara Baert
The author discusses the Mantuan fresco’s key position in the iconographic Nachleben of the Kairos/Occasio figure, and the way the theme was accustomed in the Quattrocento and the transition from the Middle Ages to the Renaissance.
Edited by Eileen Rubery, Giulia Bordi, John Osborne
Lavishly illustrated and containing the most recent images and research on this unique church, this is an essential resource for early medieval historians and archeologists working on Rome, the medieval West and Byzantium.
By Benito Navarrete Prieto
Awarded with the 2022 Eleanor Tufts Award of the Society for Iberian Global Art.
This book examines how Murillo constructed his paintings and the devices he employed to provoke responses in the viewer, both then and now.