Harvey Miller Catalogue – Autumn & Winter 2017

The catalogue for Harvey Miller on new and forthcoming titles scheduled to appear in Autumn & Winter 2017 is now available. This catalogue includes live links to the Brepols website where you can find more information on each title. Just click the book of your choice and you will be redirected to the corresponding webpage….

Africans in English Caricature 1769–1819

Africans in English Caricature 1769–1819 Black Jokes, White Humour By Temi Odumosu Between 1769 and 1819 London experienced an unprecedented growth in the proliferation of texts and images in the popular sphere, engaging learned citizens in discussion and commentary on the most pressing social and political issues of the day. From the repeal of the Stamp…

‘Colossi that Move’ by Estelle Lingo

A contribution by Estelle Lingo Andrew W. Mellon Professor, 2016-18 Center for Advanced Study in the Visual Arts National Gallery of Art, Washington, DC Associate Professor of Early Modern European Art Donald E. Petersen Endowed Professor University of Washington, Seattle Colossi that Move The majority of the sculptures of Francesco Mochi (1580-1654) are colossi, a…

Pamela Patton on the “Index of Medieval Art”at 100

A contribution by Pamela Patton Director of the Index of Medieval Art, Princeton University  The Index at 100 The 2016 retirement of Adelaide Bennett Hagens, a much-beloved manuscript scholar whose expertise enriched the Index of Medieval Art at Princeton University for fifty years, coincided closely with the 100th anniversary of the archive’s 1917 founding as the…

Elizabeth Cropper on Carlo Cesare Malvasia’s ‘Felsina pittrice’

A contribution by Elizabeth Cropper Dean, Center for Advanced Study in the Visual Arts National Gallery of Art, Washington, D.C. Life of Marcantonio Raimondi and Critical Catalogue of Prints by or after Bolognese Masters Carlo Cesare Malvasia’s Felsina pittrice  (Bologna, 1678) is a challenging and rich text. From the very beginning our plan has been…