RENAISSANCE ILLUMINATORS IN PARIS Artists & Artisans 1500-1715 By Richard and Mary Rouse The commercial manuscript book-trade in Paris, that had begun as early as the mid-12th century, was severely disrupted by the arrival of the first printing presses in Paris around 1475. This new invention converted a traditional system of book production that had…

A contribution by Stefania Mason A native Venetian, Stefania Mason formerly taught Art History at the University of Udine (Italy) where she was coordinator for two programs, the dottorato di ricerca and the specializzazione in storia dell’arte. Her own scholarly work focuses principally on Venetian painting and drawing, on the relationship between art, devotion, and…

NOW AVAILABLE   Cesare Malvasia’s Felsina pittrice, or Lives of the Bolognese Painters, Vol. IX Life of Guido Reni Edited by Elizabeth Cropper and Lorenzo Pericolo Celebrated by Malvasia as the creator and promoter of the new maniera moderna, Guido Reni (1575–1642) introduces the fourth age of painting: a period marked by an original and…

The catalogue for Harvey Miller on new and forthcoming titles scheduled to appear in Spring & Summer 2019 is now available. Download your copy here.

The Print Collection of Cassiano dal Pozzo, Part II Architecture, Topography and Military Maps The dal Pozzo print collection was unique in its scope and organisation. Some 3,000 prints are known, in fourteen albums and many loose impressions mainly divided between the British Library and the Royal Library at Windsor Castle. Acquired from the flourishing…

The Book Prize Committee of The Historians of British Art is pleased to announce that “Africans in English Caricature 1769–1819: Black Jokes, White Humour” by Temi Odumosu has won the 2019 award for a single-authored book with a subject between 1600-1800. The book cleverly explores how and why satirical artists both mocked and utilized Africans as…